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When Domhnall Gleeson was a young actor, he excelled at a certain type of role – and it was not the romantic lead. His first major part was as the dim-witted Davey in Martin McDonagh’s black comedy The Lieutenant of Inishmore, for which he picked up a Tony nomination when he was just 23. “In that play,” he says, “somebody chops all my hair off with a knife. I have a cat that gets shot and explodes all of its blood all over me. Then I have my head shoved in the dead cat. And people laughed at that.”
He pauses, considering what it might mean to be good at the “funnily pathetic” roles, as he calls them. “I think that was a part of my personality that I could access really easily. So the notion of being suave or being attractive was alien to me, because that’s just not how I saw myself.”
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